Recently, I gave 2 demos; one for the Suncoast Bonsai Society (in the Tampa/Clearwater area) and one at Erik Wigert’s 7th Annual Open House in North Ft. Myers.
For Suncoast I carved and styled a Campeche.
This is the before. I’ve had the tree for a couple of years now and the branches were selected and some placement had been done already. My goal was (admittedly in a lazy way) more ramification, thicker branches, and an overall strength that only comes from growth. I think, with all the growth on it
This is the current front. Notice the deep fluting; this is a typical characteristic of this tree. And it’s also very desirable. The extreme flare and almost architectural structure lend to the aged (that word, aged, should be, in the previous sentence, pronounced, age-ed. All proper and whatnot) appearance.
The species is (I think) Haematoxylum campechianum, that’s what everyone’s been calling it. But in my research I’ve come across this species: Haematoxylum brasiletto. Both have the common name of logwood. Palo de brasil is another name for h. brasiletto or Mexican logwood.
The difference is: one grows in a swamp (h. Campeche) and the other not. Since I am not a botanist, and I don’t have access to both side-by-side, I can’t make the judgement whether or not what we are using is one or the other. They are both very similar.
Logwood (both species) was used as a fabric dye,mostly red, that made fortunes for princes and pirates both in the post Colombus world.
The heartwood, if steeped in hot water, makes red dye. If an acid is introduced you get blue.
It’s this dye that gave Brasil it’s name. Brasil or brasel is the Portuguese word for “red ember”.
It’s the logwood industry that gives us the flag of Belize.
It shows two “Baymen” (logwood lumberjacks) in front of a logwood tree. Which looks much like a bonsai, I would say.
A fascinating story that no one has heard. Can you imagine pirates rejoicing at finding a cargo-hold full of logs? They did.
Ok, enough of that, back to business.
I will adjust the front clockwise
This gentleman wanted front row seats. I wonder if they told him I was carving?
If you come to a carving demo of mine, it’s a bit like a Gallagher show. The first few rows get the best (or worst) of it.
I’m pretty sure those are chronological.
My technique is dependent on the use of hollows instead of sharp sticks, and building thin walls and subtle detail. I use a variety of power tools, from an angle grinder, a die grinder, to a flexible shaft carver. I use a chain saw at times too. Not this time though. Maybe next time.
On this I used just the die grinder and the flex shaft tool.
Here is the finished tree
To achieve the shorter, thicker branches in the drawing requires growing out and then cutting back repeatedly. The growth on the Campeche is quite vigorous and requires a bit of diligence. But this also lends itself to a faster turnover time in the maturation of the tree.
I’d like to thank Doris for opening her home for the demo.
The next two trees I did simultaneously at Erik Wigert’s 7th Annual Open house.
I get to pick any tree from the nursery I want in my demos for Erik. I usually choose at least two. I’m greedy that way.
Actually I usually do a tree that needs carving (to show what can be done with less than ideal material) and a tree that just needs some styling and wire. To show off on, basically.
The first tree’s common name is Laurel oak. Quercus laurifolia.
The thing about oaks though is that they are a bit slutty, promiscuous even. So this one could be any mixture of live oak, water oak etc.
I’m lacking in a DNA kit today.
It’s basically a telephone pole. No taper at all.
The second tree I worked on is a Parson’s juniper. Juniperus chinensis “parsonii”
The characteristic that sets this species apart is the way, even in ideal conditions, that the trunk will twist and contort as though its being beaten down by the elements.
The drawback is the foliage. It will revert to juvenile needles at a drop of a concave cutter.
A little about that; first, there are two types of juniper foliage. Needle and scale. The parsonii is a scale type.
is both kind on the same branch.
What happens when you cut too hard on a juniper is the tree will respond with vigorous growth (which we call juvenile) to replace what was just cut off. Remember that a tree is a living solar panel that requires a certain amount of square inches (or centimeters for the rest of the world) and it will try, as much as it has energy for, to grow and replace the foliage as fast as it can.
Just about all scale junipers will respond to heavy pruning with juvenile foliage. When you’re in the refinement stage it’s best to not perform heavy pruning unless you’re prepared to wait years until the mature foliage comes back.
Here’s a view into the tree; it really has superior movement.
First thing I did was reposition the planting angle of the tree. Which I don’t have any pics of…….sorry.
Remember, I was being paid to give a demo and not take photos. My photographer actually couldn’t make the trip (Nick…).
Then I had my assistant (imagine that!) Dave
(You remember Dave right? Sorry girls, he’s a married man)
clean out the excess growth in the crotches (kinda like a juniper Brazilian wax) of the branches and brush the bark and deadwood to show the live veins.
While he did that I did some carving. And burnin’
Now to the juniper.
After changing the potting angle, defining the live vein, cleaning and wiring we have this
And some detail shots.
Basically I created pads using the wire placement. This will fill in quickly. I don’t suggest working the tree again for at least a year. Let it grow,man! (Actually it was a woman who won it)
I will again link to Michael Hagedorn’s article on juniper pruning (here) for the corrected, suddenly uber popular, technique. No more junipercide.
All the guys, Max Engels, Pedro Morales, Guy Guidry, Erik Wigert, me and John Powell.
It was great watching and working with you all.
Here’s a link to a YouTube video of the first day. (link)They spelled my name wrong but’s its not uncommon for that to happen.
Oh, the drawing for the juniper….